I Want It Now is Avohee Avoher at his most seductive.

Lush, hypnotic and unapologetically sensual, the track takes the musical intelligence of a classical virtuoso and releases it into the electronic arena. At 138 BPM, warm analogue textures, a rolling bassline and insistent rhythmic layers create a pulse that feels as physical as it is musical, while an intimate female voice moves between English and German, desire gradually overtaking restraint.

“Baby, I don’t know you… I shouldn’t want this, but I do… I want it now.”

That line becomes the record’s irresistible centre: immediate, provocative and built to stay in the memory. Around it, Avohee Avoher uses his command of structure, tension and release to let the music continually evolve, turning a deceptively simple hook into something increasingly intoxicating.

There is an erotic charge running through every part of I Want It Now. It captures that moment when attraction becomes instinct, inhibition disappears and nothing matters except the person standing in front of you.

Sophisticated yet visceral, European yet universal, I Want It Now has the intimacy of a whispered secret and the scale of an electronic anthem.

Avohee Avoher has spent a lifetime mastering music. Here, he uses that mastery for pure temptation.

“I Want It Now” is at a great bpm for the dance floor,  Berlin-inspired Mainstage EDM club anthem, combining driving bass, hypnotic analogue production and seductive English/German female vocals with an instantly memorable hook. Already released exclusively on Beatport, it has attracted outstanding early DJ feedback through Power Promotion. Its high-energy, European club sound is a strong fit for Spotify editorial playlists Main Stage, Dance Rising and rave. This is memorable massive dance track that is sensual & erotic!

The next chapter of After the Masters - School of Velocity

What happens when virtuosity becomes a conversation?

With Caelune, Avohee Avoher pushes After the Masters - School of Velocity into new territory, expanding the project from the individual virtuoso into the extraordinary possibilities of two pianos and four hands.

Dark, seductive and technically uncompromising, Caelune begins high above the keyboard. Rapid arpeggiated figures descend through the instrument before being answered by a weightier recurring bass motif. From its opening moments, two musical personalities appear to challenge one another, question one another and occasionally collide.

Then the game begins.

Themes emerge only to transform. Delicate passages of haunting beauty are interrupted by sudden displays of technical prowess. Trills open doors into new musical territory. Syncopated rhythms destabilise the movement. Scales, chromatic passages and torrents of notes race across the keyboards with an almost ostentatious celebration of classical piano technique.

There are echoes here of the great virtuoso tradition and the technical discipline embodied by works such as Czerny’s School of Velocity, but Caelune is not an exercise.

It is a psychological piece.

Beneath the technical spectacle lies a constant tension between opposing forces: strength and vulnerability, darkness and light, control and abandon, beauty and disturbance.

Just as the listener begins to understand where the music is going, it changes direction.

The virtuosity retreats and something intimate appears. Then the technical machinery returns. Moments of slight harmonic dissonance begin to disturb the beauty as the work drives towards what feels like an inevitable climax, only to withdraw once again into delicacy.

And Caelune ultimately refuses the expected return home.

Rather than resolving by restating its opening theme, the music continues to evolve, gathering itself into a final technical statement before two commanding chords bring everything abruptly to an end.

The title itself suggests the world surrounding the composition. Caelune evokes caelum, the Latin for sky or heaven, and lune, the French for moon. Celestial beauty above, human complexity beneath.

Its official film takes that idea into an altogether darker visual world, exploring sensuality, temptation, intimacy and psychological conflict through an abstract cinematic language. Like the composition itself, the imagery offers no prescribed narrative. Its meaning belongs to the viewer.

Because beneath all the velocity, technique and spectacle lies the central idea of After the Masters:

Virtuosity can astonish. But when technique carries human emotion, it can become something else entirely.

Composed and performed by Avohee Avoher, Caelune continues After the Masters - School of Velocity, receiving its final sonic dimensions at the legendary Abbey Road Studios, with mastering by Stefan Brown.

Avohee Avoher Asks What Comes After the Masters with “Valenor” drops 31 August 2026 

The opening release from After the Masters - School of Velocity

After a year spent exploring the emotional landscape of the human experience through 12V, Avohee Avoher turns to a very different question.

What happens when emotion collides with virtuosity?

Valenor is the first answer.

The opening release from After the Masters - School of Velocity, Valenor introduces an ambitious new waterfall cycle of original piano works inspired by the extraordinary musical and technical legacy of the great masters, but viewed through a contemporary creative voice.

This is not imitation. It is homage, inheritance and evolution.

Created through Avohee Avoher’s own compositional and improvisational process, the works draw upon harmonic ideas, pianistic gestures, technical concepts and elements of musical language inspired by figures including Liszt, Rachmaninoff and other masters who transformed what could be achieved at the keyboard.

Those influences become starting points for exploration rather than destinations.

That relationship with the past carries particular significance for Avohee Avoher, whose own pianistic lineage leads directly back to Franz Liszt. After the Masters therefore becomes more than a title. It reflects a musical tradition passed through generations, absorbed, questioned and ultimately transformed through a new body of original work.

And the scale of the project will extend far beyond conventional solo piano.

Across the forthcoming waterfall releases, After the Masters - School of Velocity moves between demanding solo works and experimental writing for two pianos, exploring interlocking voices, competing rhythms, contrapuntal movement, technical complexity and the extraordinary physical possibilities of multiple keyboards in motion.

At the entrance to that world stands Valenor.

Beginning almost immediately in rapid motion, its recurring minor-key motif creates an unmistakably cinematic sense of pursuit. Technical swirls race across the keyboard. Rhythms shift and become syncopated. Harmonic tension intensifies. Moments of aggression emerge and disappear before the music unexpectedly opens into passages of grace and haunting beauty.

Then the pursuit begins again.

At its most exposed, Valenor seems almost to call out to the listener before being swept once more into the velocity of its recurring theme.

It is technically demanding, but technique is not the point.

Emotion is.

Following 12V, Avohee Avoher is not abandoning the emotional relationship established with his audience. He is taking it somewhere new.

Where 12V invited listeners to explore twelve emotional voltages and discover their own meaning within them, After the Masters asks them to experience emotion through movement, technical intensity, musical heritage and the almost limitless expressive possibilities of the piano.

There is no prescribed story behind Valenor.

Its urgency might feel like pursuit to one listener and liberation to another. Its quieter passages might evoke longing, reflection or something entirely personal. As before, the final meaning belongs to the audience.

After the Masters pays respect to those who came before without attempting to recreate them.

It asks what their legacy can inspire now.

What happens when centuries of pianistic tradition pass through another pair of hands?

What happens when technique becomes emotion?

What happens after the masters?

Valenor is where that journey begins.

Composed and performed by Avohee Avoher, Valenor opens After the Masters - School of Velocity, receiving its final sonic dimensions at the legendary Abbey Road Studios, with mastering by Stefan Brown.

If you remember those hot sweaty nights in places like TRADE you need this in your life

AVOHEE AVOHER’S unforgettable anthem FOREVER TOGETHER returns in spectacular style with Part II, joining forces with the legendary SOUL SEEKERZ - the production powerhouse behind a UK Top 10 smash with Dannii Minogue and acclaimed remixes for some of the biggest names in global music. 

Completing this dream collaboration is LUV FOUNDATION (UK)

FOREVER TOGETHER PART II is an explosive, hands-in-the-air festival anthem, driven by an unforgettable haunting riff, soaring emotion and euphoric energy, destined to ignite dancefloors and have crowds raising their hands in unison at festivals and clubs across the globe.

Release Date: 30 June

After twelve months, twelve releases, and twelve emotional voltages, Avohee Avoher brings the acclaimed 12V cycle to its powerful conclusion with the release of Indomitable.

More than a collection of piano works, 12V was conceived as an emotional journey through the human experience. Each release explored a different emotional state, inviting listeners to pause, reflect, and reconnect with their own inner world through music, imagery, and personal interpretation.

Indomitable stands as the final chapter of that journey.

Built around a sweeping cinematic piano landscape, the composition balances haunting beauty with moments of immense emotional power. Delicate motifs evolve into expansive harmonic statements, carrying the listener through reflection, remembrance, gratitude and ultimately, triumph.

Yet Indomitable is not a celebration of victory over others.

It is a celebration of the human spirit.

The piece reflects the journey of life itself. Childhood and innocence. Growth and discovery. Love and loss. Hope and disappointment. Joy and heartbreak. The countless moments that shape us as we move through the world. Through every challenge, every setback, every triumph and every scar, the work arrives at a simple but profound conclusion:

We are stronger than we think we are.

We are indomitable.

The accompanying visual work reflects this philosophy through a sequence of deeply human imagery that spans generations and experiences. Moments of vulnerability, connection, ageing, reflection, beauty and celebration unfold as a meditation on the gift of life itself. Rather than dictating meaning, the film invites viewers to discover their own story within it.

As the closing statement of the 12V cycle, Indomitable also carries the central message that has quietly run through the entire project from beginning to end.

Life is a gift.

Life is beautiful.

Life is a miracle.

In a world often dominated by noise, division and distraction, Indomitable serves as a reminder that beauty, kindness, joy and love remain all around us. The work encourages listeners to embrace gratitude, recognise their own resilience, and remember that every day offers another opportunity to experience the extraordinary privilege of being alive.

With Indomitable, Avohee Avoher closes the 12V chapter not with finality, but with affirmation.

The journey continues.

The story continues.

And no matter what life places before us, the human spirit remains unconquered.

Indomitable releases worldwide on 30 June as the final chapter of the 12V project.

The complete 12V album will be available directly through the Avohee Avoher website and AVO Records. Physical editions on vinyl and CD will also be available.

INTU!TION is the electrifying new collaboration between Mark Loverush and Avohee Avoher, following up their debut single, “DOMINATION. with the equal brilliance of 'Give me Strength'”. 

A haunting progressive house cut, the track nods to the emotive depth of The Beloved, Way Out West, and Faithless, blending a sweeping Balearic energy with a storytelling vocal that pulls listeners in from the first beat to the last.

Johann Sebastian Bach wrote music that moved with force. Beneath the structure lived tension, release, devotion and emotion. More than three centuries later, that energy returns through Avohee Meets Bach, the third release in Avohee Avoher’s Addicted to Classics series.

This is not a remake. It is a rebirth.

Inspired by the emotional weight and architecture of Bach’s Chaconne in D minor from Partita No. 2, BWV 1004, and the legendary piano transcription tradition of Ferruccio Busoni, Avohee Meets Bachtransforms classical intensity into a modern dance experience built for movement, atmosphere and emotional release.

Ancient meets modern.

Operatic choir rises through hypnotic rhythm. Sacred Latin phrases intertwine with haunting German whispers. Spiritual energy collides with underground pulse. Emotion builds, pressure rises, tension releases.

Kyrie eleison.
Lux aeterna.

The result is cinematic, uplifting, sensual and powerful.

Created for the dance floor but carrying the weight of classical tradition, Avohee Meets Bach moves between worlds. It belongs equally in the underground club, the international festival arena and the listener seeking something deeper inside electronic music.

This is not nostalgia.

It is transformation.

Avohee Meets Bach receives an exclusive Beatport release on 29 May, followed by its worldwide release across all major streaming platforms on 12 June.

Avohee Avoher continues the unfolding of 12V, a collection of twelve cinematic piano works shaped around distinct emotional voltages, with the release of Lustrous.

Conceived as a space for reflection and emotional connection, 12V invites listeners to pause, step away from the noise of daily life, and immerse themselves in music that allows personal interpretation. Each composition is intentionally open, encouraging the audience to bring their own memories, emotions, and experiences into the listening journey.

Lustrous occupies a unique place within the cycle. Built upon a thoughtful, evolving piano language, the work moves between quiet introspection and moments of expanding emotional intensity. Delicate motifs answer one another across shifting registers, gradually opening into richer harmonic passages that build pressure, release, and momentum.

At its heart, Lustrous explores the relationship between shadow and illumination.

There is beauty within the work, but it is not immediate or uncomplicated. Beneath its warmth lies a subtle undertone of depth and mystery, suggesting the movement from darkness toward light, from stillness toward renewal. The piece remains reflective, yet emotionally compelling, carrying both fragility and strength.

The accompanying visual continues the artistic language established throughout 12V. Drawing upon symbolic imagery, classical influences, nature, light, mythology, and the human experience, the video unfolds as an interpretive sequence rather than a fixed narrative. Fragments of beauty, memory, and transformation emerge and recede, inviting the viewer to discover their own meaning within the work.

As part of the ongoing waterfall release strategy behind 12V, each composition introduces its own emotional identity while contributing to a larger, interconnected body of work.

With Lustrous, Avohee Avoher offers a meditation on radiance, resilience, and the quiet emergence of inner light.

Luv Foundation (UK) team up once again with Avohee Avoher on the afrobeat smash MALAMI fusing hints of African beats and ethereal middle eastern vocals. This is the follow up to the current anthem Forever Together and showcases the great collaboration between the two artists. Avohee Avoher meanwhile charted #4 Traxsource Electro House Chart pre release with his original version of Malami 31-10-25 and was also added to Betport Best New MainStage. This is a sensual banger that needs to be heard. generating waves across the global dance scene already.

Avohee Avoher and LUV Foundation (UK) join forces for the electrifying new release, “Malami Remix” - a hypnotic fusion of Afrobeat rhythms, deep electronic energy, and seductive Middle Eastern vocal textures already generating serious momentum across the global dance scene.

Following the success of their previous collaborations, “Forever Together” and Christmas Magic Near & Far the two artists once again showcase their unmistakable creative chemistry, blending underground club culture with cinematic emotion and international sonic influences.

The original version of “Malami” by Avohee Avoher made an immediate impact prior to release, charting at #4 on the Traxsource Electro House Chart on 31.10.25 through pure DJ support and organic demand alone. The track also received recognition from Beatport with inclusion in Best New MainStage.

Now reimagined alongside LUV Foundation (UK), “Malami Remix” transforms the track into a powerful late-night anthem - sensual, atmospheric, tribal, and emotionally charged. Pulsating percussion, ethereal melodies, and infectious grooves combine to create a record equally suited to underground dancefloors, beach festivals, and peak-time international sets.

With support already building among DJs and tastemakers worldwide, “Malami Remix” stands as another bold release from two artists continuing to push boundaries within the modern electronic landscape.

Avohee Avoher x LUV Foundation (UK) - Malami Remix  

A sensual global dance anthem already making waves worldwide.

Avohee Avoher continues the rollout of 12V, a collection of twelve cinematic piano works, with the release of Noema.

Conceived as a sequence of emotional voltages, 12V explores distinct psychological states through a refined neoclassical language. Each piece is designed to offer the listener space to step away, to sit with the music, and to reconnect with their own emotional landscape. Rather than dictating meaning, the project invites interpretation, allowing each listener to find something personal within it.

Noema draws the listener in with a fluid, expressive melodic line that feels immediate and open. Beneath its surface, subtle shifts begin to form, creating a sense of tension that gradually tightens. As the piece develops, it expands into more powerful harmonic passages, building pressure and emotional weight while maintaining control. It is both immersive and emotionally gripping, holding the listener in a space that resists simple definition.

The official video reflects this same philosophy. Built around fragments of memory drawn from the artist’s own internal world, it presents a sequence of human moments and symbolic imagery that move between connection, distance, and quiet disruption. The visuals do not follow a fixed narrative. Instead, they unfold as an interpretive experience, allowing the audience to project their own meaning onto what they see and feel.

As part of the ongoing 12V release cycle, each work introduces a different tone and visual identity, forming a body of work that evolves with each release. Noema stands as one of the more emotionally charged pieces within the series, balancing beauty with underlying tension.